INDMIX ACADEMY

PROFILE

DJ JPY a.k.a JAPPY BAJAJ

a name which took birth on february 18th in JALANDHAR (PUNJAB).

no one could guess at that moment that this boy will create history one day.

DJ JPY a true aquarian by birth , which makes his dedication towards music more stronger.

his interest took him towards DJing and right now he's a well known delhi based professional DJ .

DJ JPY a charming delhi based music magician , to begin with he started off his journey with doing PRIVATE PARTIES , EVENTS , & finally got CLUBS.

in his running carrier he had performed in several CLUBS , EVENTS across the country with several ROCK BANDS , RAPPERS , CELEBRITY DJ'S & TV CELEBRITIES and now he is busy with his DJing gigs, entertainment company (GEP GURUZ) and DJ classes.

WHAT IS A DJ ?

A disc jockey (also called DJ, or deejay) is an individual who selects and mixes prerecorded music for an intended audience. The term was first used to describe radio announcers who would introduce and play popular gramophone records. These records, also called discs by those in the industry were jockeyed by the radio announcers, hence the name disc jockey and soon to be known as DJs or deejays. Today there are a number of factors, including the selected music, the intended audience, the performance setting, the preferred medium, and the development of sound manipulation, that have led to different types of deejays.

The physical act of selecting and playing sound recordings is called deejaying, or DJing, and ranges in sophistication from simply playing a series of recordings (referred to as programming, or composing a playlist), to the manipulating of recordings, using techniques such as audio mixing, cueing, phrasing, cutting, scratching, and beatmatching, often to the point of creating original musical compositions. It should be noted that the term "DJ" in Jamaican dancehall culture refers to the performer who inserts live ad lib raps or "toasts" over dub instrumental recordings played by the "selector", here described as a "DJ".

SO U WANNA BE A DJ ?

A few words of advice –

Please analyse your interest in music and find out whether you want to play instruments, sing songs or play and mix music. After all, you're talking about some valuable years of your life. Once sure that DJ'ing is where you want to go, take it very seriously and be ready to work your butt off - nothing comes easy! If you want to do it for the money, don't even try. Like all professions, money is less in the beginning but once you start making your mark, it gets better. And it's a Glamourous profession with lots of Money & Fun ;) all there once you prove yourself.

WHY BE A DJ ?

t’s a noble thought and a noble profession. But, before you jump onto the wheels of steel, ask yourself why do you ACTUALLY want to do it ? Is it the Jetsetting life of popular DJ’s, the wine & the women, the glamour of it all or simply the money? Well, if it’s any of those, please don’t waste your time and money because you won’t last. Something I’ve always told aspirants is that you’ve got to be crazy enough to want to be a DJ – Sleepless nights, playing the same track 5,000 times and still getting requested to play it, threats if you don’t play the request next, unhappy neighbours, very few long time relationships cause you don’t have time to maintain them and a shoe-string budget cause whatever you make, it goes back into music, gear & clothes! If that is something you can handle and with a smile, then please do come in – otherwise it’s better to do something else. Also, don’t just jump in because you ‘love music’. Please analyse your interest in music and find out whether you want to play instruments, sing songs or play and mix music. After all, you're talking about some valuable years of your life.

Once sure that DJ'ing is where you want to go, start practising on your own with whatever equipment you have - I began with a 2-in-1 and a tape deck. Not too many artists are born with a silver spoon but they all manage to create one – That’s the achievement. Once you are ready to buy professional equipment, buy the best even if it's a bit more expensive. It's better to wait & save to invest in better equipment then to get cheaper stuff that won't give you the right performance required for you to develop a professional style. Believe me, I know of a lot of guys who started on substandard equipment and could not stay around for very long because they just couldn’t make the shift to professional equipment found in good clubs. Today, they’re still on the same equipment and the same level as they were 5 years back. So, value your talent and head for the right gear if you want to be able to make a mark. Take the DJ profession very seriously and be ready to work your butt off - nothing comes easy! All the Big names that you see around today have been slogging it for more than a Decade to get to where they are today – are you ready for that level of commitment?

And, if you want to do it for the money, don't even try. Like all professions, money is less in the beginning but once you start making your mark, it gets better. Actually, better is a small term once you’ve made your valuable contribution in someway – the amount that Big DJ’s are paid just for one night is enough for a lot of Doctors and Engineers to secretly wonder if they made the right choice! Yes, money, fame, wine, women, music and loads of good times are there but, only for the one who is ready to bare his soul and give his all to the spinning wheels – Are YOU the Chosen One?

COMPLETE HISTORY OF DJING INDUSTRY

* 1857 - Leon Scott invents the phonoautograph, the first device to record arbitrary sound, in France.

* 1877 - Thomas Alva Edison invents the phonograph cylinder, the first device to playback recorded sound, in the United States.

* 1887 - German-American Emile Berliner invents the gramophone, a lateral disc device to record and playback sound.

* 1889 - Coin-slot phonograph machines, the general public's first encounter with recorded sound, begin to be mass produced. The earliest versions played only a single record, but multiple record devices, called jukeboxes, were soon developed.

* 1892 - Emile Berliner begins commercial production of his gramophone records, the first disc record to be offered to the public.

* mid-1890s to early 1920s - Cylinder and disc recordings, and the machines to play them on, are widely mass marketed and sold. The disc system gradually becomes more popular due to its cheaper price and better marketing.

* 1906 - Reginald Fessenden transmits the first audio radio broadcast in history when he plays Christmas music from Brant Rock, Massachusetts.

* 1910s - Regular radio broadcasting begins, using "live" as well as prerecorded sound. In the early radio age, content typically includes comedy, drama, news, music, and sports reporting. The on-air announcers and programmers would later be known as disc jockeys.

* 1920s - "Juke-joints" become popular as a place for dancing and drinking to jukebox music.

* 1927 - Christopher Stone becomes the first radio announcer and programmer in the United Kingdom, on the BBC radio station.

* 1929 - Thomas Edison ceases phonograph cylinder manufacture, ending the disc and cylinder rivalry.

* 1934 - American commentator Walter Winchell coins the term "disc jockey" (the combination of "disc", referring to the disc records, and "jockey", which is an operator of a machine) as a description of radio announcer Martin Block, the first announcer to become a star in his own right. While his audience was awaiting developments in the Lindbergh kidnapping, Block played records and created the illusion that he was broadcasting from a ballroom, with the nation’s top dance bands performing live. The show, which he called Make Believe Ballroom, was an instant hit.

* 1940s - Musique concrète composers utilize portions of sound recordings to create new compositions. This is the first occurrence of sampling.

* 1943 - Jimmy Savile launches the world's first DJ dance party by playing jazz records in the upstairs function room of the Loyal Order of Ancient Shepherd's in Otley, England. in 1947 he paid a local metal worker to weld two domestic record decks together and became the first DJ to use twin turntables for continuous play.

* 1947 - The "Whiskey-A-Go-Go" nightclub opens in Paris, France, considered to be the world's first discothèque, or disco (deriving its name from the French word, meaning a nightclub where the featured entertainment is recorded music rather than an on-stage band). Discos began appearing across Europe and the United States.

* late 1940s to early 1950s - The introduction of television erodes the popularity of radio's early format, causing it to take on the general form it has today, with a strong focus on music, news and sports.

* 1950s - American radio DJs would appear live at "sock hops" and "platter parties" and assume the role of a human jukebox. They would usually play 45-rpm records featuring hit singles on one turntable, while talking between songs. In some cases, a live drummer was hired to play beats between songs to maintain the dance floor.

* 1955 - Bob Casey, a well-known sock hop DJ, introduces the first two-turntable system for the purpose of alternating back and forth between records, creating continuous playback.

* late 1950s - Jamaican sound systems, a new form of public entertainment, are developed in the ghettos of Kingston, Jamaica. Promotors, who called themselves DJs, would throw large parties in the streets that centered around the disc jockey, called the "selector". These parties quickly became profitable for the promoters, who would sell admission, food and alcohol, leading to fierce competition between DJs for the biggest sound systems and newest records.

* mid-1960s - Nightclubs and discotheques continue to grow in Europe and the United States. However, by 1968, the number of dance clubs started to decline.

* 1969 - American club DJ Francis Grasso popularizes beatmatching at New York's Sanctuary nightclub. Beatmatching is the technique of creating seamless transitions between back-to-back records with matching beats, or tempos. Grasso also perfected slip-cueing, the technique of holding a record still while the turntable is revolving underneath, releasing it at the desired moment to create a sudden transition from the previous record.

* late 1960s - Most American discos either closed or were transformed into clubs featuring live bands. Neighborhood block parties that are modeled after Jamaican sound systems gain popularity in Europe and in the boroughs of New York City.

* early 1970s - The Vietnam War, oil crisis, and economic recession has a negative impact on dance clubs and disc jockeys. The total number of clubs and DJs dropped substantially, and most of the dance clubs were underground gay discos. It should also be noted that electronics company Technics released a series of direct-drive DJ turntables during this period.

* 1974 - Jamaican-born DJ Kool Herc - who is widely regarded as the "godfather of hip hop culture" - develops a technique called breakbeat while performing block parties in his Bronx neighborhood. He would mix back and forth between two identical records to extend the rhythmic instrumental segment, or break. Turntablism, the art of using turntables not only to play music, but to manipulate sound and create original music, is considered to begin at this time.

* 1974 - Technics releases the first SL-1200 turntable, which evolves into the SL-1200 MK2 in 1979, currently the industry standard for deejaying.

* 1974 - German electronic music band Kraftwerk releases the 22-minute song "Autobahn", which takes up the entire first side of that LP. Years later, Kraftwerk would become a significant influence on hip hop artists such as Afrika Bambaataa and house music pioneer Frankie Knuckles.

* mid 1970s - Hip hop music and culture begins to emerge, originating among urban African Americans and Latinos in New York City. The four main elements of hip hop culture are MCing (rapping), DJing, graffiti, and breakdancing.

* 1975 - Disco music takes off in the mainstream pop charts in the United States and Europe, causing discotheques to experience a rebirth.

* 1975 - Record pools begin, enabling disc jockeys access to newer music from the industry in an efficient method.

* 1976 - American DJ, editor, and producer Walter Gibbons remixes "Ten Percent" by Double Exposure, one of the earliest commercally released 12" singles (aka "maxi-single").

* 1977 - Hip hop DJ Grand Wizard Theodore invents the scratching technique by accident.

* 1977 - New York's Studio 54 nightclub grosses $7 million in its first year of business (which is roughly $21 million in today's dollars after adjusting for inflation). In the same year, the motion picture Saturday Night Fever popularizes discotheques and becomes one of the top-10 grossing films in history (at the time).

* 1979 - The Sugar Hill Gang release "Rapper's Delight", the first hip hop record to become a hit. It was also the first real breakthrough for sampling, as the bassline of Chic's "Good Times" laid the foundation for the song.

* 1979 - An anti-disco protest in Chicago's Comiskey Park marks the major backlash against disco amongst rock music fans, who preferred guitars and live drums over electronically generated sounds and beats. This is considered to be the year that disco "died", although the music remained popular for several more years, particularly in underground clubs and in Europe, where the subgenres Euro Disco and Italo Disco were created.

* 1981 - Cable television network MTV is launched, originally devoted to music videos, especially popular rock music. The term "video jockey", or VJ, was used to describe the fresh faced youth who introduced the music videos.

* 1982 - The demise of disco in the mainstream by the summer of 1982 forces many nightclubs to either close or to change entertainment styles, such as by providing MTV style video dancing or live bands.

* 1982 - "Planet Rock" by DJ Afrika Bambaataa is the first hip hop song to feature synthesizers. The song melded electronic hip hop beats with the melody from Kraftwerk's "Trans-Europe Express".

* 1982 - The compact disc reached the public market in Asia and early the following year in other markets. This event is often seen as the "Big Bang" of the digital audio revolution.

* 1983 - House music emerges. The name was derived from the Warehouse club in Chicago, where the resident DJ, Frankie Knuckles, mixed old disco classics and Eurosynth pop. House music is essentially disco music with electronic beats. The common element of most house music is a 4/4 beat generated by a drum machine or other electronic means (such as a sampler), together with a solid (usually also electronically generated) bassline.

* 1983 - Jesse Saunders releases the first house music track, "On & On".

* mid-1980s - New York Garage emerges at DJ Larry Levan's Paradise Garage nightclub in New York. The style was a result of the club DJs who would unsuccessfully try to duplicate the Chicago house sound, for example, leaving out the accentuated high-hats.

* mid-1980s - Techno music emerges from the Detroit club scene. Being geographically located between Chicago and New York, Detroit techno combined elements of Chicago house and New York garage along with European imports. Techno distanced itself from disco's roots by becoming almost purely electronic with synthesized beats.

* 1985 - The Winter Music Conference starts in Fort Lauderdale Florida and becomes the premier electronic music conference for dance music disc jockeys.

* 1986 - "Walk This Way", a rap-rock collaboration by Run DMC and Aerosmith, becomes the first hip hop song to reach the Top 10 on the Billboard Hot 100. This song is the first exposure of hip hop music, as well as the concept of the disc jockey as band member and artist, to many mainstream audiences.

* 1988 - The acid house scene emerges in the UK. Originally called "acid parties" for a select few, the events grew in size and popularity, eventually spreading throughout England, Europe, the United States, and the rest of the world.

* early 1990s - The rave scene grows out of the acid-house scene. Many elements of the rave scene, such as baggy pants and breakdancing, appear to be inherited from the Northern Soul scene of the UK approximately 15 years earlier. The notion of "trainspotting," for example, derives from Northern Soul's emphasis on researching and collecting rare & obscure records; while preventing other DJs from stealing titles via "white labels". The rave scene forever changed dance music, the image of DJs, and the nature of promoting. The innovative marketing surrounding the rave scene created the first superstar DJs.

* early 1990s - The compact disc surpasses the gramophone record in popularity, but gramophone records continue to be made (although in very limited quantities) into the 21st century, particularly for club DJs and for local acts recording on small regional labels.

* mid-1990s - Trance music emerges as a result of producers who wanted to transform repetitive, instrumental rave music into commercially accessible pop songs with vocals. Trance was central to the success of commercial dance music and superstar DJs such as Paul Oakenfold.

* 1992 - MPEG which stands for the "Moving Pictures Experts Groups, releases The MPEG-1 standard, designed to produce reasonable sound at low bit rates. MPEG-1 Layer-3 popularly known as MP3 (a Lossy format) will revolutionize the digital music domain.

* 1992 - Promo Only, a popular music service for disc jockeys is launched.

* 1993 - The first Internet "radio station", Internet Talk Radio, was developed by Carl Malamud. Because the radio signal is relayed over the Internet, it is possible to access internet radio stations from anywhere in the world. This makes it a popular service for both amateur and professional disc jockeys operating from a personal computer.

* 1995 - The first full-time, Internet-only radio station, Radio HK, begins broadcasting the music of independent bands.

* late 1990s - Nu metal bands such as Ko?n, Limp Bizkit, and Linkin Park reach the height of popularity. This new subgenre of alternative rock bears some influence from hip hop, because rhythmic innovation and syncopation are primary, often featuring DJs as bandmembers.

* late 1990s - Various DJ and Video_jockey VJ_software VJ software programs are developed, allowing personal computer users to deejay or veejay using his or her personal music or video files.

* 1998 - The first MP3 digital audio player is released, the Eiger Labs MPMan F10.

* 1998 - Final Scratch is announced by Amsterdam based N2IT. This program "mapped" digital music files onto timecoded vinyl records that were then played on a traditional DJ setup. This was the first product of it's kind, and later spawned a slew of competing products (including Serato Scratch Live, Ms. Pinky, and Mixvibes). Final Scratch was later bought by Stanton Magnetics, and its software development is now handled by Native Instruments. Final Scratch was later launched in India in 2003 by DJ Jazzy Joe through his Mixmasters Concept sponsored by Stanton.

* 1999 - Shawn Fanning releases Napster, the first of the massively popular peer-to-peer file sharing systems.

* 1999 - late 1999 - AVLA (Audio Video Licensing Agency) of Canada announces MP3 DJing license. Administered by the Canadian Recording Industry Association. DJs can now apply for a license giving them the right to burn their own compilation CDs of "useable tracks," instead of having to cart their whole CD collections around to their gigs.

* 2001 - Apple Computer's iPod is introduced and quickly becomes the highest selling brand of portable digital mp3 audio player. The convenience and popularity of the iPod spawns a new type of DJ, the self-penned "MP3J". First appearing in certain East London clubs, and spreading to other music scenes, including New York City, this new DJ scene allows the average music fan to bring two iPods to an "iPod Night", plug in to the mixer, and program a playlist without the skill and equipment demanded by a more traditional DJ setup.

* 2001 - late 2001 - Atlanta, Georgia, The fist Computerized Performance System Disc Jockey gathering was scheduled and organized during the small DJ3 convention. CPS mixing culture begins to emerge and organize.

* 2005 - Computerized Performance System Disc Jockey Summit is launched. Hosted by Professor Jam and originally developed as a social gathering in 2001, it was the first dedicated computer disc jockey industry event.

AND THE BEAT GOES ON…